Antique Animal Jewelry- Antique Animal Jewelry
Essex Crystal Jewelry
This week's blog is all about the delicate, meticulous art of Essex crystal jewelry. These spectacular miniature paintings are otherwise known as 'reverse intaglio crystals' and were popular in the Victorian era and into the Edwardian era, being featured on buttons, stickpins, and cuff links for gentlemen, as well as on the brooches and pendants of ladies.
Rare late-19th century American reverse intaglio of a Boston terrier, set in a 14ct gold rope twist frame Antique Animal Jewelry
What is an Essex Crystal?
Essex crystal pieces are made from a piece of rock crystal, polished by hand repeatedly to create a domed cabochon with a flat base or back. A design is drawn on the flat side and is delicately hand-carved into the crystal, and then painted in reverse by a masterful maker. This is quite unlike normal intaglio, which is painted on the front, as everything has to be done in reverse and from the back. Painting directly into the carved inside of the dome gives the paintings an incredible three-dimensional or '‘trompe l’oeil' effect. Finally, the piece would be sealed with a backing, with early examples being backed onto gold foil, and later examples in mother of pearl and gold. These would often then have been framed by mounts made of sterling silver, 18ct or 22ct gold.
This might sound like a relatively straightforward task, but it was actually extremely difficult and required an incredibly high level of skill to achieve. The carving alone was often so small and so fine that a 'scribe pencil' and up to 250 different soft steel tools were needed to create such a piece, in combination with a special paste made out of diamond powder and oil. After the design was carved, the detail would then have to be painted on with extremely fine brushes, some of which may only have consisted of a single hair. As if this wasn't enough, the first colors to be laid on the metal support have to be the ones that need to be fired at the highest temperature. As more colors are added the enamel has to be periodically re-fired, with the colors that need the lowest temperatures going on last. This meant that the colors would not fade when exposed to light.
Given how complicated and skillful the process was, the secrets of making such pieces were often kept within particular families of craftsmen. It wasn't until cheaply produced imitations started to be made, cast in glass or later made from plastic instead of rock crystal, that the popularity of these pieces faded.
how the 'Essex Crystal' got its name
Although Essex crystal is the popular name for this kind of jewelry, it's actually a misattributed one. Essex Crystal does not, as you might've thought, have anything to do with the county of Essex. Stranger yet, it has nothing at all to do with the man who it was named after. To understand the story of the Essex Crystal, the first thing to know is that miniature portrait pieces, particularly miniature enamels, were very popular in the Victorian era. Queen Victoria herself was actually so enamored with the style that she appointed herself a royal enameler in 1839. His name was William Essex.
William Essex (1784 – 1869) was an English enamel painter thought by many to be the best enamelist of his generation, specializing in intricate miniatures. He exhibited at the Royal Academy in London in 1818 and wrote a treatise on the art of enameling. When in the mid-19th century reverse intaglio crystals began to appear on the market in Britain, the most famous and most skilled known miniature painter around was William Essex. It was his name that was on everyone's lips and it was assumed that these pieces, requiring such exquisite talent, could only have been created by such a celebrated miniature enamellist as Essex. This rumor was fed by the fact that one of Essex's students, William Bishop Ford, was known for creating enameled pieces set in jewelry with depictions of a fox head, which was a popular motif in Essex crystal jewelry. The name stuck, and the pieces became known as Essex crystal pieces, as they still are today - despite their having nothing at all to do with William Essex.
Miniature fox's headscarf pins, painted in enamel, made by William Bishop Ford. c.1875
Via Bonhams
Reverse intaglio crystal jewelry is a technique that is actually believed to have originated in Belgium, with the first person to sign their name to a piece being the Belgian artist Emile Marius Pradier. Reverse intaglio crystals were then developed and made popular in England by Thomas Cooke, who made crystals for Lambeth & Co, and who trained an apprentice in the art who then passed the secrets of Cooke's techniques down through his family.
The most common themes depicted on Essex crystal pieces are animals, flowers, and occasionally nautical motifs. Some of the most common animals found in Essex crystal jewelry are dogs, cats, racing horses, foxes, insects, and birds. Hunting animals and racing animals were particularly common in Essex crystal, where they would likely have been worn on stickpins and cuff links by men.
dogs
These may have included pet dogs, hunting dogs, and racing dogs, and many are commemorative pieces dedicated to animals that won races or were loved and passed away.
Reverse intaglio crystals in a dog collar design. The crystals feature from the top left: a Boxer, a Bull Terrier, a Jack Russell, a Ruff Collie, and in the center, a German Shepherd, English, c.1905
Via Hamshere Gallery
Victorian Essex crystal reverse-painted dog pendant in 14k yellow gold
Via Worthpoint.com
Gold brooch with a reversed crystal intaglio of the head of a red and white Welsh collie with an inscription on the reverse, c.1880. © The Trustees of the British Museum
Antique Essex crystal of a Pekingese dog in a diamond border
Antique Animal Jewelry
Antique Essex Crystal depicting a Dalmation
Antique Animal Jewelry
Late 19th-century reverse intaglio Essex crystal dog brooch depicting a Bull Terrier, with a mother-of-pearl background and a 14k frame with a riding crop bezel
Via 1stdibs
Antique Essex crystal French Bulldog cufflinks
Via Pinterest
Antique Essex crystal of two dogs looking up and to the left, bordered in rubies and diamonds
From Jackson Jewellers via Pinterest
Victorian Essex crystal of a ring Spaniel, (nee stickpin) converted using 18ct wide gold band Antique Animal Jewelry
A polychromed gold brooch set with a reverse intaglio crystal depicting a Yorkshire Terrier, c.1875-90
©Victoria & Albert Museum, London
Essex crystal stick pin featuring an English terrier dog, in 14kt gold
From carolmarksantiques via Instagram
Reverse intaglio box of a King Charles Cavalier Spaniel, English, c.1880
Via Hamshere Gallery
Essex crystal of a spaniel, bordered in diamonds and rubies
Via Pinterest
Antique Long Haired Dachshund Essex Crystal Brooch
From Market Square Jewelers via Pinterest
Essex crystal Boston Terrier double band, shaped like dog's collars
From One Kings Lane via Pinterest
An Essex crystal reverse intaglio stick pin, featuring Miss Glendyne: winner of the Waterloo Cup 1885-6. The Waterloo Cup was a prestigious coursing event that attracted thousands of spectators
From thomasgloverjewels via Instagram
A reverse Essex crystal portrait of “Quick” the greyhound, with a rose-cut diamond surround mounted in silver and gold, c.1900. From simonteaklejewelry via Instagram
Reverse intaglio crystal 'clover leaf' brooch of three crystals, Malteses, Jack Russell, Yorkshie Terrier, 18ct gold and rose cut diamond set, English, c.1880
Via hamsheregallery.com
Antique Essex Crystal pin depicting a Hunting Dog, with a mother-of-pearI backing and set in a 14k gold
From A Dog's Tale Collectibles via Ruby Lane
Cats
Victorian 18k gold brooch set with 6 diamonds and a crystal reverse intaglio of a tabby cat, France, c.1880
From fabiandemontjoye via Instagram
Victorian/Edwardian-era Essex crystal of a Persian Cat brooch crafted in 18ct gold, set with diamonds and sapphires. From Millys Marvels Jewelry via Instagram
Antique Essex cat crystal in a border of diamonds set into a ring
Antique Animal Jewelry
Antique Essex crystal stickpin of a tabby cat
Antique Animal Jewelry
Reverse intaglio of a white cat
Via Pinterest
Essex crystal of a cat with a pearl border, suspended from a gold bow
Via Pinterest
Ginger cat Edwardian Essex crystal with rubies and diamonds
Via rowanandrowan.com
Birds
Rare Victorian Essex crystal brooch depicting a European goldfinch, c.1860
From The French Jewel Box via Instagram
Antique Essex crystal ring depicting a goldfinch against a backdrop of leaves
Antique Animal Jewelry
onlinegalleries.com
Antique reverse intaglio crystal of three birds on a branch, bordered in diamonds
Antique Animal Jewelry
Antique reverse intaglio crystal finch bracelet, set in gold with a gold beading border
Antique Animal Jewelry
Gold pendant with a reversed crystal intaglio of a robin in a snowy landscape, with a compartment on the reverse containing a tinted photograph of a bearded man in a gold locket-case, c.1860
© The Trustees of the British Museum
Edwardian goose crystal watch
From thevintagefox.com
A very rare stickpin by famed Austrian jeweler Ernst Paltscho. Made of solid 18ct gold, set with an Essex crystal of a male capercaillie or woodcock - a large grouse renowned for its courtship display, and backed in mother of pearl, c.1910. From victoriousantique via Instagram
Essex crystal of a Long Billed Dowitcher with a diamond border
Antique Animal Jewelry
Essex crystal snuff box mounted in hallmarked 18ct yellow gold and set with a single cabochon sapphire. Reverse carved & painted scene of hunting birds in a woodland setting
Via Ebay
Antique reverse intaglio / Essex crystal of a Pheasant
Late 19th-century gold brooch with a reversed crystal intaglio of two pheasants in a landscape backed with mother-of-pearl, in a gold collet setting. © The Trustees of the British Museum
Gold brooch with a reversed crystal intaglio of a cock pheasant amidst ferns and grasses with an applied gold ivy leaf in each corner and an applied gold trade label, made by John Brogden, c.1870
© The Trustees of the British Museum
Insects
Bees were a popularly depicted insect in miniature jewelry, symbolizing industriousness. They were particularly sought after for their association with Napoleon Bonaparte, who took the bee as his emblem to represent his status as Emperor.
A gold brooch with a reversed crystal intaglio of a bee set in gold ropework and beading with a hair compartment in the reverse, photographed alongside bee stick pins, c.1870
© The Trustees of the British Museum
Essex crystal reverse intaglio Bumblebee brooch, set in high-carat gold with granulated decoration, c.1880
Via Rowan and Rowan
Victorian 18kt reverse intaglio Essex crystal Bumblebee pin, c.1880. Backed in mother-of-pearl and set within an 18kt yellow gold frame, etched with vertical lines
Essex crystal reverse intaglio butterfly set in 18ct gold with a natural ruby and rose-cut diamond border converted from a pin to a pendant, c.1880
From elizabethroseantiques via Instagram
Antique 18kt gold and reverse-painted crystal brooch, depicting a butterfly and bellflowers, with an enamel border. Via Skinner
gentlemen's Edwardian crystal spider cufflinks www.1stdibs.com
Foxes
A wily reverse intaglio fox set inside a golden hunting horn brooch, c.1900
From Lang Antiques
